Wednesday, 23 November 2011

Furniture is heavy. Conversations while moving furniture can also be heavy.

I did a day's temp work yesterday shifting furniture at a local furniture shop - double beds, sofa beds, bookcases, wardrobes, that sort of thing. Turns out that a) they don't sell cheap and nasty mdf furniture, and b) real wood is really heavy.

I also spent a fair chunk of the afternoon debating belief in God with one of the other temps who was there that day. I used to do it loads at school in philosophy lessons, but I've been learning recently about the distinction between simply arguing generically for the existence of 'god', and actually pointing someone to Jesus. The problem with arguing in the abstract is that I'm not really trying to defend belief in 'a god', only belief in the one true God of the Bible. I'm not trying to say 'religion is good' - false religion isn't good - I'm actually kinda with Richard Dawkins on that much.
Ultimately the reason I believe in God, and think Him worth following, isn't because of the Design Argument or the Cosmological Argument (or even the Ontological Argument), it's because I believe in the death and resurrection of Jesus - who was God and man and died to take away my sin, rising again to prove that He had succeeded.

These are the most important questions to answer: who is Jesus? Was He really God? What did He do when He died? Did He rise again? And therefore - can I have a relationship with a God who loves me?
The Death and Resurrection of Jesus is the thing that the whole Bible hinges on - the Old Testament points towards it, and the New Testament exists because of it. All other apologetics are to some extent secondary, they are bridges to these questions - the identity and work of Jesus is of first importance. It is the proof of the validity of the whole Bible and it is the revelation of the character of the God of love and it is the way we can be reconciled to God. (For more on the love of God, check out the latest post on Denise's blog.)

How people respond to Jesus will govern how they respond to God ('if you've seen me you've seen the Father'). I still think apologetics questions are worth answering - but if you never come to the question of Jesus and the Gospel, you won't be coming to the true God.

I'm still learning how to effectively move a conversation from abstract intellectual stuff onto the Gospel - any thoughts? How would you go about that kind of conversation?

And what do you think of Jesus? Is He who He said He is - and why?

Friday, 18 November 2011

Is mobile malware a problem?

This guy says no. On the other hand the article also contains links to places that claim it is. So which is it?

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Thursday, 17 November 2011

Tintin - my twopenneth

The day before yesterday Denise & I went to see the new Tintin film. We didn't see it in 3D, so I can't comment on that side of things (although I've heard the 3D work is good), but we did watch it in Digital, although I'm not quite sure what the difference is supposed to be in terms of experience.

When I first saw they were releasing a film that wasn't the old TV series I was rather concerned. I've seen movie adaptations of books I like before, and they're often just a little bit disappointing. The strength that the TV series had was that it used the same drawings as the original books - it was just an animated book - not much room to screw things up there.

However, having watched it my fears were quelled and then some. I've watched a few adaptations (looking at you Harry Potter) where you end up with the feeling that the filmmakers didn't really get the books or just weren't fans the way you were (I mean, seriously, how could you consider it even remotely acceptable to leave out winning the Quidditch Cup from Prisoner of Azkaban?? That was the best bit of the book.), but I felt watching Tintin that the creators cared enough to not just approximate the books but also reproduce them. One of the most enjoyable things was seeing that so many characters who appear once and are utterly insignificant were still renderings of the drawings used in the books (example, check out the market seller right at the beginning vs. the same character in Secret of the Unicorn, or the crew of the Karaboudjan). Now, I will say that they've changed story elements, the bad guy in the film wasn't the bad guy in those books, and they've blended The Crab with the Golden Claws with Secret of the Unicorn (which tbh, I expected them to do), but the fact remains that they've included a lot of the material from the books and they've done it in a way that is completely in keeping with the spirit of them, so for once I don't mind.

It's also one of the few adaptations I've seen where the characters are mostly like I imagined them - Jamie Bell is a perfect fit for the youthful sound of Tintin without sounding like a child, while Andy Serkis (of Gollum & King Kong fame) is excellent as Haddock (one day he'll land a major role in a major film where you get to see his face), and Bianca Castafiore is also spot on (I was impressed that they even managed to capture in sound the painful noise that Haddock experiences whilst letting you see why others consider her so good, a job I doubted they could pull off).

Full credit also for the adoption of the motion capture animation. People have said negative things about films like the Polar Express that use it, but the characters looked alive in this, whilst still fairly representing their cartoonish features. One frustration I've had with CGI people in films is that their movements don't quite look real - they're just a little to smooth (or sometimes to jerky) and don't quite feel like they interact with the environment properly - but motion capture gets round that to a fair extent because humans provide the movement and you can really see it in the excellent swashbuckling flashbacks and a few punch-ups (also congratulations to Spielberg for not cutting out the fights and guns of the books - like the books no one actually gets shot dead but it's good to see they've maintained that side of things - you don't have to cut it out for it to qualify as a family film).

So all in all I was thoroughly satisfied with the job they've done with it - it's so nice to watch a film where you know the makers cared as much about the little details as you do - it's clearly the work of someone who wanted to bring the books to life rather than just exploiting the license. Bring on the (highly probable) sequel.

3D without screens through coloured lasers

Maybe one day we will manage to achieve the Star Wars-style holographic displays.

Of course, there are still issues I'd have thought around capturing images that give you 3D that can be viewed from all sides - even 3D cameras only get a 3D perspective of one side. That said, it's still quite exciting:



And as the article says, you can get R and B as well as G - so full colour is possible :)

Credit: CNet

Tim Vine

Probably one of the best stand-ups around. Sometimes you can't beat a good old-fashioned joke. Milton Jones also worth a look. Both manage to keep it pretty clean too, which just goes to show what you can manage if you try.





Wednesday, 16 November 2011

Black is Back

Yep, Rebecca Black has released another classic. Actually, I think it is better as a song than Friday, one could even go so far as to say the song has an interesting concept. I don't think it'll achieve the same iconic status though.

The 10 best England goals I've seen?

Actually it's as seen by the Telegraph's Henry Winter, but I think I've also seen most of them. Some crackers from the old school of Shearer, Sheringham and Gazza. Comes with Youtube links :)

Henry Winter: The 10 best England goals I've seen - Telegraph:

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